Kareena Kapoor Khan posted the trailer for Ritu Kumar's new couture line on Instagram on September 8, and she made sure everyone knew this wasn't just another brand tie-up.
The campaign, titled Ritu Kumar Couture 2026, has six looks designed by Amrish Kumar, all heavy on embroidery, earthy colour and old-world tailoring. But the reason Kareena framed it as personal goes back decades, to a garment that once belonged to the Begum of Bhopal.
That piece was gifted to her mother-in-law, who wore it on her own wedding day. Ritu Kumar later restored it for Kareena to wear at hers. "Ritu Kumar has always held a very special place in my heart," she wrote in her post, adding, "So this was never just a campaign for me. It was about emotion, memories, heritage and a beautiful sense of belonging. Some things really do come full circle."
Six looks, one house's craft archive
The strongest piece in the trailer is the Jaisalmer Jacket & Skirt, which reworks Rajasthan's block-print traditions into a jacket-and-skirt silhouette loaded with aari, tikki and zardozi work. The label says it took more than 600 hours to make, which tracks given the level of detail visible even in a short clip.
Elsewhere there's an antique-gold and ochre number with a corset-style bodice and sheer printed sleeves, a mirror-work jacket paired with a flared skirt, and a green-and-black printed base layered under a sheer black drape finished with sequin booti work. Nothing here is trying to be quiet.
Rhea Kapoor styled the whole campaign, and the jewellery choices back off deliberately wherever the embroidery is doing the heavy lifting. Raniwala earrings and a Prithviraj Jewels ring go with one look, vintage Schiaparelli pieces and polki buttons by Birdhichand with another, MLB Jewels with the newer mirrorwork ensemble. Small, specific choices, not a blanket jewellery sponsorship dump.
The Badly Drawn Boy shot the campaign on film, with Disha Dey handling the art direction, which explains why the trailer looks more like a short film than a lookbook.
What this actually signals for Ritu Kumar as a house is worth sitting with. The label built its name on reviving Indian textile traditions decades before that became a marketing line every brand reaches for. Putting Kareena at the centre of a campaign literally built on inheritance and restoration isn't subtle positioning, and it doesn't need to be. The story does the work: a wedding garment that moved through three generations of one family, restored by the same house each time.
Ritu Kumar hasn't said when the full collection drops or whether these six looks are the entire line. For now, the trailer is doing its job, getting people to look twice at a house that's been around long enough to have actual archives to draw from.





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