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A still from All of a Sudden showing Virginie Efira and Tao Okamoto sitting together in a nursing home, looking thoughtful under soft light.Photo via Cinema Express

Ryusuke Hamaguchi's All of a Sudden Nominated for Oscar

The French-Japanese drama, starring Virginie Efira and Tao Okamoto, is Japan’s official entry in the Best International Feature Film category.

By The Long Shot2 min read
Current hype level45

All of a Sudden, directed by Ryusuke Hamaguchi, has officially been chosen as Japan’s entry for the Best International Feature Film Oscar at the 2027 Academy Awards. The France-Japan-Germany-Belgium co-production, running 196 minutes, is a quiet, meditative study in human connection, pain, and the ethics of care.

Based on the book You and I – The Illness Suddenly Get Worse by Makiko Miyano and Maho Isono, the film was co-written by Hamaguchi and Léa Le Dimna. It stars Virginie Efira as Marie-Lou Fontaine, head of a Parisian caregiving facility, and Tao Okamoto as Mari Morisaki, a terminally ill Japanese theatre director. Their relationship unfolds across parallel timelines in Paris and Kyoto, anchored by long takes, intimate dialogue, and the recurring presence of a play within the film — Mari’s Up Close, No One is Normal.

The film’s emotional core lies in its exploration of loneliness, mortality, and the fragile bonds between caregiver and patient. It draws parallels to Hamaguchi’s earlier work, particularly Drive My Car, where art becomes a vessel for healing. Here, the narrative pushes further into systemic critique: the film highlights the need for Humanitude, a humane care model that Marie-Lou advocates for in her facility.

Shot in a real nursing home with professional actors and residents performing alongside one another, the film blurs fiction and reality. Its performances, especially from Efira and Okamoto. Earned them a joint Best Actress award at Cannes, underscoring the film’s emotional resonance.

Despite its languid pace and minimal plot, All of a Sudden has drawn praise for its compassion and visual poetry. The framing of small lives against vast landscapes points to the film’s central theme: life as a state of constant transit, not just arrival or departure.

The film’s selection marks Hamaguchi’s continued influence on international arthouse cinema. With no major festival wins yet announced beyond Cannes, its Oscar chances remain uncertain, but its quiet power is already making waves among critics and cinephiles.

It will be released in select Indian theatres in early 2027, pending certification.

Reported from

This article was written by the CutMirchi desk from the reporting above. Facts are attributed to their original publishers.

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