The Vvaan: Force of the Forest has limped to its final weekend, collecting just Rs 2.50 crore in its third frame — a 70% drop from the previous week. That’s the endgame for Sidharth Malhotra and Tamannaah Bhatia’s mythological fantasy, now poised to wrap up its theatrical run between Rs 65 and 70 crore. The film, directed by Deepak Kumar Mishra, never found its rhythm. A weak second week killed any hope of a clean hit. It started strong enough, but stalled hard. By the time it reached its third weekend, it was already fading into the background noise of October’s release slate. The story follows Rishi, an engineer returning to his ancestral village in Bihar to settle a property dispute. But when a development project threatens a sacred forest, he’s pulled into a centuries-old conflict between faith and nature. Alongside Tamannaah, Anup Soni, Sunil Grover, Shweta Tiwari, and Maniesh Paul carry the weight of a narrative that promised epic stakes but delivered average returns. No red carpet. No awards buzz. Just a quiet exit. The numbers don’t lie: this wasn’t a failure, but it wasn’t a win either. The Vvaan had potential. A rural mythos, a star pair, a timely theme, but it couldn’t sustain momentum. And in a month where sequels like Hanuman Ansh and Main Vapas Aaunga are holding steady, even modest hits feel like milestones. What happens next? The film heads straight to streaming. No word yet on the platform. But with box office totals hovering near the 70-crore mark, the digital rights will be a key move. For now, the curtain closes on a movie that tried to be grand. And ended up being just another name in the list of films that didn’t quite land.
Photo via PINKVILLAThe Vvaan Ends Its Run With a Whisper, Not a Bang
The Vvaan: Force of the Forest has limped to its final weekend, collecting just Rs 2.50 crore in its third frame — a 70% drop from the previous week. That’s the endgame for Sidharth Malhotra and Tamannaah Bhatia’s mythological fantasy, now poised to wrap up its theatrical run between Rs 65 and 70 crore. The film, which
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