Released amid Ganesh Chaturthi, the folk‑fantasy earned 9‑9.5 crore, marking Sidharth Malhotra’s third‑biggest opening despite clashing with Nani’s hit and an Avengers: Endgame re‑run.
The Vvaan: Force of the Forrest stormed theatres on Friday, pulling in roughly Rs 9‑9.5 crore. The numbers come straight from the opening‑day tally that Koimoi tracked, and they place the film as Sidharth Malhotra’s third‑biggest debut in his career, trailing only Ek Villain and Brothers.
And the timing couldn’t be more festive. The release coincided with Ganesh Chaturthi celebrations, a period that usually sees families flocking to multiplexes for the long weekend. That devotional backdrop appears to have amplified the film’s appeal, especially in northern circuits where the story’s references to ancient legends and the Chhathi Maiya song resonated strongly.
But the box‑office battle was anything but quiet. Nani’s regional blockbuster The Paradise was still drawing crowds, and Marvel’s Avengers: Endgame enjoyed a surprise re‑release that kept a chunk of screens occupied. Still, The Vvaan managed a solid attendance, suggesting the folk‑fantasy’s marketing and star power cut through the competition.
So what does this mean for the film’s trajectory? A double‑digit opening on day one usually translates into a healthy weekend, provided word‑of‑mouth stays positive. Early social chatter points to a mix of admiration for the visual spectacle and curiosity about the mythic narrative. If the buzz holds, the film could comfortably cross the Rs 30‑crore mark by the end of its first week.
The production banner behind the venture is a heavyweight combo: Balaji Motion Pictures, a Balaji Telefilms arm, teamed up with TVF and 11.11 Production. Director Deepak Mishra, who also penned the story, teamed with visual director Manu Anand to craft the forest‑laden world that dominates the poster. Co‑star Tamannaah Bhatia brings her own fanbase, adding another layer of draw.
And the numbers also highlight a broader trend. Folk‑fantasy and myth‑driven stories are finding a sweet spot in the current market, especially when they ride on festival releases. The Vvaan’s performance could encourage more producers to explore culturally rooted narratives, rather than relying solely on urban‑centric romances.
Looking ahead, the next few days will be crucial. The film still has to navigate the post‑festival slump and the looming release of other big titles. Yet, with a strong opening and a festive aura still in the air, The Vvaan appears poised to ride the momentum into a respectable box‑office run.
Stay tuned for the weekend wrap‑up and any updates on the film’s overseas earnings.
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