David Zaslav walks away from Warner Bros. Discovery with $606 million — and the company’s board is still reeling. The former CEO, whose tenure ended with the Oct. 6 merger of WBD and Paramount Skydance, has been paid out in full for his stake in the new entity, Skydance Media. The SEC filing confirms the total: $224.4 million in sold shares, $381.7 million in exercised stock options. That’s not a typo. Not even close. It’s more than most studios make in a year. And it comes just days after shareholders rejected his golden parachute in a non-binding vote, a symbolic slap that didn’t stop the payout. The deal structure was tight: Paramount paid $31 per share to WBD holders, plus a ticking fee of 25 cents a day until closure. By October 6, that added up. Zaslav had already offloaded $195 million in stock through a Rule 10b5-1 plan. Including $114 million in March, $59 million in July, and $21.7 million in August. He wasn’t waiting. The numbers are staggering. In 2025, he made $165 million on a package that included a one-time stock grant tied to a failed split of studios and streaming. That plan collapsed when Netflix walked away from an $83 billion offer. Then Paramount stepped in with $110 billion, a superior bid that forced WBD to merge instead. Zaslav’s final compensation isn’t just about money. It’s about timing. Had the deal closed in March, he could’ve claimed a $335 million tax reimbursement. Pushing his total to nearly $900 million. But IRS rules penalize delays. So he got less. Still, he’s among the highest-paid execs in media history. Others aren’t far behind. CFO Gunnar Wiedenfels gets $2.14 million, Bruce Campbell $2.95 million, JB Perrette $2.85 million, all bonuses tied to the closing. Perrette now leads TV and direct-to-consumer at Skydance. Gerhard Zeiler? Expected to leave. The company says Zaslav doubled employee equity ownership. Whether that counts as legacy or loot remains unproven. One thing’s certain: the man who once ran a struggling conglomerate is now walking into the next chapter with a war chest bigger than most film budgets. The question isn’t whether he’ll spend it. It’s what happens when the next wave of media consolidation hits. And who gets paid when the dust settles.