
The Horror Season Was Never Coming — It’s Already Here
Three books. Three films. No prior adaptation plans. Just fear, well-written, and now on screen.
Topic
Horror continues to evolve across screens, with new releases and reboots drawing attention. Recent coverage explores streaming availability, franchise performance, and upcoming projects shaping the genre’s current landscape.

Three books. Three films. No prior adaptation plans. Just fear, well-written, and now on screen.

Ben’s tattoo isn’t a joke. It’s a brand. And the number 13? It’s not just a date. It’s a countdown.

Mike Flanagan’s Carrie series premieres October 7 on Prime Video, landing at 83% on Rotten Tomatoes — the lowest score among his television projects. Critics praise its modern take on cyberbullying and soundtrack, but some fault the extended runtime and a meme subplot. The show’s fate now rests with viewers.

Chase Infiniti is stepping into the horror spotlight — and Lionsgate’s new horror flagship just got a lot more terrifying. The Golden Globe and Emmy nominee, fresh off her Oscar-winning breakout in One Battle After Another, has signed on to star in Portrait of God, a high-concept religious thriller from rising director Dylan Clark. The film, which Lionsgate has greenlit with Sam Raimi and Jordan P

Backrooms has quietly crossed $400 million worldwide — and it’s not even in the same conversation as the blockbusters.

The final episode of Delusion dropped on Netflix last week, and the Thai mystery series just rewired what we thought we knew about guilt, family, and the ghosts we carry.

Resident Evil, released on September 18, became the first film in its series to cross $100 million in North America, pulling in $103.2 million domestically and $196.2 million worldwide, despite a steep second‑week drop.

Zach Cregger’s Resident Evil opened strong in India with a 2.6 crore net and 4,300‑plus shows, but a wave of new releases cut its footprint to under 500 screens by the second weekend, pulling the domestic total to 15.37 crore.

Zach Cregger’s Resident Evil opened on September 18 and has already raked in $113.7 million worldwide, topping the domestic box office and edging close to the franchise’s top‑five grossers, according to Box Office Mojo data.

Resident Evil opened to $60 million domestically, eclipsing the series’ prior best and beating forecasts by $20 million, while a modest $80 million budget and solid B+ CinemaScore suggest strong staying power.