Drishyam The Conclusion Ajay Devgn: Secret Ending Revealed

Drishyam The Conclusion’s Climax Was a Secret From 90% of the Cast

Nishant Singh reveals how the entire unit was kept in the dark about the ending — mirroring the film’s own deception.

By Front Row2 hours ago2 min read

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The final act of Drishyam The Conclusion wasn’t just hidden from audiences — it was buried deep within the production itself. Nishant Singh, who plays Shiv in the franchise, has revealed that 90% of the unit didn’t know how the story ended. In a candid conversation with Bollywood Hungama, he dropped a line that encapsulates the film’s layered deception: 'Vijay Salgaonkar jo Meera Deshmukh ke saath kar rahe the, wohi Abhishek Pathak hamare saath kar rahe the.' The quote isn’t just a throwaway joke, it’s a reflection of how the filmmakers replicated the very tension they built on screen.

Shiv, alongside his wife Jenny (played by Neha Joshi), are undercover cops posing as friendly neighbours to Vijay Salgaonkar (Ajay Devgn). Their mission? To uncover the one clue that could prove the Salgaonkars were responsible for the death of Meera Deshmukh’s son, Sam. Their recordings shapes the film’s resolution. But behind the scenes, even their presence was shrouded in mystery. Singh says he was given only his scenes. Not the full script. His character appears during key pre-climax moments, including when Rajveer Singh Tomar (Jaideep Ahlawat) and advocate Indrajit Shetty (Prakash Raj) discuss the case. That gave him context, but no answers. He played along with the speculation, joining others in guessing what might happen next.

The film’s cult status owes much to the ‘Changu Mangu’ nickname, a playful jab from Prakash Raj that became a fan favourite. According to Singh, the idea came from dialogue writer Aamil Keeyan Khan, who said Abhishek Pathak called him and another writer by that name. It stuck. The delivery, especially by Raj, made it unforgettable.

Singh also shared insights into working with Ajay Devgn, Tabu, and Shriya Saran. He described them as calm, minimal in speech, and deeply patient. During the infamous drunk scene in Drishyam 2, where his character insults Vijay, he admitted to being nervous. After a rehearsal, he blurted out, ‘Sir, meri fatt rahi hai!’ Devgn reassured him: ‘Tu aa na mere upar. Koi dikkat nahin hai.’ The moment eased the tension and helped nail the performance.

He credits his Marathi fluency to two years at the Academy of Theatre Arts in Mumbai, where he lived among Marathi-speaking peers. Though he hails from Sitamarhi, Bihar, the language came naturally through immersion.

As for a fourth film? Singh remains open. ‘You never know,’ he says. ‘It all depends on the audience.’ With Drishyam The Conclusion already drawing strong reactions, the question isn’t whether fans want more. It’s whether the makers will trust the same level of secrecy again.