Veteran director Mysskin praised Karthik Subbaraj’s new drama ‘Dorothy’ in Canada, saying it forces audiences to confront gender bias and societal cruelty.
Veteran Tamil filmmaker Mysskin surprised fans on Thursday by posting a video from Canada where he praised Karthik Subbaraj’s latest offering, Dorothy. The director, who had hinted at stepping away from cinema, said the film made him rethink his own creative future.
In the clip, Mysskin talks about how Dorothy forces a reckoning with the way men have historically treated women and trans women, calling the portrayal “harsh” yet necessary. He likens the on‑screen treatment of a trans woman to a “repulsive animal” and urges audiences to reflect on that cruelty.
“My experience watching the film just now left me with a heavy heart,” he says. “Think about how many atrocities we commit in the name of masculinity.” The veteran filmmaker also referenced his own past work, noting that he once crafted a pivotal character dealing with similar themes, but insists Dorothy surpasses anything he’s seen in recent memory.
Subbaraj, who has built a reputation for bold storytelling, apparently delivered a piece that resonated deeply with his senior. Mysskin went on to claim the movie belongs in any list of the ten greatest Indian films, a statement that will likely fuel the ongoing buzz surrounding the film’s festival run.
The director’s endorsement arrives just weeks after Dorothy premiered at the Toronto International Film Festival, where it earned a standing ovation. Critics have highlighted its unflinching look at gender‑based violence, while audiences on social media are split between admiration and backlash.
“Mysskin’s reaction is a reminder that cinema can be more than escapism,” a trade analyst told CutMirchi. “When a stalwart like him says a film should be watched with a conscience, it adds weight to the conversation.”
Fans of Subbaraj are already hailing the praise as a seal of approval, while detractors question whether the film’s heavy themes will translate into box‑office success. The Tamil market traditionally favors lighter fare, but recent trends show a growing appetite for socially relevant narratives.
The director also hinted that the emotional impact of Dorothy might inspire him to return to the director’s chair, after a six‑year hiatus. “I thought I’d quit making movies,” he admitted, “but this film gave me the courage to pick up the camera again.”
As the film prepares for its Indian release, the industry will be watching whether Mysskin’s endorsement sways the undecided. The buzz could push Dorothy into a stronger opening weekend, especially in metros where word‑of‑mouth travels fast.
For now, the conversation circles around the film’s ability to spark dialogue on gender, power, and accountability. Whether audiences embrace that challenge remains to be seen, but Mysskin’s heartfelt recommendation ensures Dorothy stays on the radar.
What’s next? The film hits theatres across Tamil Nadu next Friday, and Mysskin has promised to attend the premiere in Chennai. His presence could turn the event into a larger platform for the film’s message, potentially shaping the narrative around its commercial performance.
Dorothy runs for 150 minutes and stars newcomer Aishwarya Rajesh in a pivotal role. Subbaraj’s collaboration with composer Santhosh Narayanan promises a haunting score that complements the film’s stark visuals.
Stay tuned for box‑office numbers and audience reactions after the opening weekend.
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