You Can See Everything hits U.K. Cinemas on November 20 — a month after its U.S. Debut, as A24 locks down the global rollout for Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary. The film, which premiered in surprise fashion at Telluride in September, has already drawn Oscar chatter and is set to open in American theaters on October 16. No Indian release date has been announced yet. 

The doc follows Holmes in the final stretch before her 11-year prison sentence, capturing her life in the weeks leading up to incarceration. What began as an intimate portrait of a controversial figure evolved into a three-year deep dive into deception, perception, and the machinery of belief. Fielder, known for his surreal observational comedy, admitted during a New York Film Festival Q&A that he was unsettled by Holmes’ ability to appear genuine while knowing she was lying. “It was a weird mental thing,” he said. “I know she’s a liar. But then I’m like, ‘no,’ and tracking my thoughts.” 

That cognitive dissonance became the film’s spine. Fielder moved into Holmes’ home with her partner, Billy Evans, and their two children. A move that blurs the line between observer and participant. “I wouldn’t think I’d be the person you’d want for your final period,” he confessed. “I’m not the most comforting.” 

The project started when Oppenheim, fresh off directing Robert Pattinson’s Primetime, recalled Holmes reaching out to A24 about being filmed. He connected with Fielder, who had long been intrigued by the Theranos saga. Together, they pitched the idea, and Holmes agreed. 

Now, with the U.K. Release locked in, the world watches to see how a filmmaker best known for absurdity tackles one of Silicon Valley’s most infamous real-life fables. And whether the camera truly captures everything. Or just what Holmes wanted it to.