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A24 is a film studio known for distinctive, genre-defying projects. CutMirchi covers its latest releases, including a psychological thriller that outperformed a major re-release and a documentary that blurs the line between truth and fiction.
You Can See Everything earned $60.4 million in North America during October 2026, making it the month’s second-highest-grossing film despite poor critical reception. It outperformed several high-profile releases and joined Other Mommy in the top three, defying expectations in a crowded market.
The man behind the camera says he wanted to show everything. The man in the shower says he never agreed to that.
Nathan Fielder and Lance Oppenheim’s You Can See Everything has become the most acclaimed documentary of the year — but the Academy’s documentary branch might not see it as a contender. With a 9.4 IMDb score and a 99 Metacritic, it’s poised to break records. Yet its self-reflexive style could cost it a shortlist spot. If it’s snubbed, history says the wider Academy might push it onto the best-pc
You Can See Everything has hit $53.3 million in North America, becoming A24’s fifth-highest-grossing film ever. With a 12.2% drop on its second Thursday and expansion to 2,655 theaters, the documentary is tracking toward $90–100 million. It’s already the third-highest-grossing non-music doc in US history.
Before shooting began on 'You Can See Everything,' Nathan Fielder reportedly asked A24 for a contractual kill switch to abandon the Elizabeth Holmes documentary if it went nowhere. Co-director Lance Oppenheim says the clause changed everything.
The A24 documentary on Elizabeth Holmes has edged past Clayface in the final stretch, pulling in $3.56 million on Friday alone from 3,243 North American theaters.
The documentary 'You Can See Everything' earned $2.57 million on Monday, edging past 'Street Fighter' despite playing in fewer than half the theaters. Its success is tied to Nathan Fielder’s fanbase and an audience under 35.
The film ends exactly where it should — with no extra footage, no teaser, no hidden cut. Just silence after the final frame.
Zendaya’s next move is already a headline. The actress, fresh off three global blockbusters and an Emmy nod, has signed on for Alex Garland’s new sci-fi film at A24 — an untitled project that will shoot in 2027.
Street Fighter's North American total hits $53.9M after 18 days, edging past Jared Leto's $64.8M sci-fi flop despite a steep drop on its third Monday.
Elizabeth Holmes, on the verge of prison, tells Nathan Fielder she’s never lied. The film doesn’t prove her right. It proves something worse: we don’t know what truth even looks like anymore.
Four new releases, Street Fighter, Whalefall, You Can See Everything and Sense and Sensibility, hit North American theatres this weekend, with Paramount's reboot projected to open around $30 million amid a shaky October box office.
The actor insists he’s not mocking the real-life host, but the backlash has been loud. Hansen, who still runs sting operations under his TruBlu network, has publicly questioned the film’s motives. He’s considered legal action, bought ad space before screenings to promote his own platform, and called the movie a 'capitalization' of his name. Yet Pattinson sees it differently. He’s thrilled to see a
The film’s U.K. theatrical release is set for October 30 — a week before the digital rollout. But here’s what’s really happening: the public conversation around Primetime isn’t just about the movie anymore. It’s about the man it’s based on.
Robert Pattinson's Primetime has pulled ahead of Avengers: Endgame Encore at the North American box office after three weekends, though the re-release still edges it out worldwide, per Box Office Mojo figures cited by Koimoi.
Phoebe Bridgers, Julien Baker, and Lucy Dacus perform together on camera for the first time in nearly three years — in a stripped-down, emotionally charged set filmed by Lance Oppenheim at Cherry Lane Theatre.
A24's psychological thriller Primetime, starring Robert Pattinson as investigative journalist Chris Hansen, has ignited debate. Hansen calls the film 'a work of fiction' and an 'insult,' denying any involvement in its production.
Robert Pattinson's Primetime crosses $36 million in North America, outperforming Materialists and nearing The Drama’s total. The $14.5 million acquisition is already a profitable move for A24.
A24 has set November 20 as the U.K. release date for Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary 'You Can See Everything', following its surprise premiere at Telluride. The film, which captured Holmes in the weeks before her 11-year prison sentence, will open in U.S. theaters on October 16.
You Can See Everything is already selling out at Alamo Drafthouse — and not just because it’s a doc about Elizabeth Holmes. The A24 documentary, directed by Lance Oppenheim and Nathan Fielder, has hit record presales for any film in the chain’s history, trailing only Avengers: Doomsday in ticket demand.
At the NYFF screening of 'You Can See Everything,' a 'Free Elizabeth Holmes' group passed out flyers. Their leader: Ryan ElHosseiny, who claims he rebuilt Theranos tech from trial evidence. He says it works. No one else has confirmed it. But he’s convinced. So are 346 people who signed his petition. And maybe, just maybe, the doc’s audience.
The divorce was finalized in 2020. No statements. No interviews. Just silence.
Robert Pattinson delivers a career-defining performance as Chris Hansen in Lance Oppenheim’s 'Primetime,' a psychological thriller that dissects the moral decay behind televised crusades. The film, praised for its unsettling visuals and sharp ensemble, arrives at a moment of cultural reckoning over media ethics.
Hansen denies any manipulation in the Conradt case, says the film fabricates the timeline and motive, and warns that the real investigation was never about ratings — it was about justice.
Chris Hansen walked out of an early screening of A24’s ‘Primetime’, labeling the Robert Pattinson‑led drama bizarre and far removed from the real work he did on ‘To Catch a Predator’.
A24’s Primetime, starring Robert Pattinson, earned $20.9 million in its first four days in North America, narrowing the gap to The Drama’s $48.1 million domestic haul and sparking talk of a possible top‑five A24 finish.
Robert Pattinson’s new film Primetime earned $19.2 million in its first weekend from 2,863 U.S. theatres, marking a strong profit start for A24 and drawing a largely Gen‑Z audience.
Robert Pattinson’s new film ‘Primetime’ earned about $19.2 million in its opening three days in North America, placing it fourth overall and securing the third‑biggest debut for A24 to date.
Jonathan Lipnicki, once the kid from Jerry Maguire, strips naked on screen in A24's Primetime, playing a predator caught in the sting that ended the real TV show.
A24's Primetime dramatises the 2006 To Catch a Predator sting that led to Louis Conradt's suicide, but the film invents scenes, merges characters, and changes the raid's weather and timing entirely.