You Can See Everything, the Nathan Fielder and Lance Oppenheim documentary on Elizabeth Holmes, is heading to IDFA. The film — already a sensation after its Telluride premiere, has been added to the International Documentary Festival Amsterdam’s 2026 lineup, where it will screen in the festival’s main competition. It joins Alex Gibney’s Musk, a new exposé on Elon Musk, as one of the two high-profile additions announced Tuesday. Both films are set for world premieres at the Dutch festival, which runs November 12–22. IDFA, the world’s largest documentary event, has unveiled its full selection: 253 titles from 80 countries, including 13 in International Competition and 13 in Envision, a section dedicated to formal innovation. White Tiger Column, a harrowing look at Myanmar’s resistance recruits training in the jungle, opens the fest. The film follows young volunteers through 45 days of preparation for armed struggle. A portrait of courage, according to IDFA. No U.S.-made films made the International Competition slate, though several American directors appear elsewhere. Among them: Raluca Lupaşcu’s A Modern Roma Fairytale, about a 10-year-old girl dreaming of a marble palace while navigating patriarchal constraints. And Sergii Bazhenov’s Every Death Diminishes Me, which documents his journey to become a medic amid war. In Luminous, a premiere-only section focused on personal, poetic storytelling, Where the Sun Is Born traces a dancer’s return to his Garifuna roots in Honduras. She Was Not Alone, supported by the IDFA Bertha Fund, follows Zaira, an elderly woman living in Iraq’s marshlands, her life entwined with nature and imperiled by climate and conflict. Other standout entries include Tehran, Under the Skin, which examines Iran’s cosmetic surgery culture under conservative rule, and Jenin & the Nakba Between Us, a family-driven reflection on displacement in the West Bank. Frontlight, another premiere-only program, features films like The Big Boom!, which explores contradictions in a Bulgarian arms factory supplying Ukraine while many workers support Putin. Sixteen Moments of My Life, Albert Serra’s intimate portrait of Ingrid Caven performing live in Paris, rounds out the special additions. The festival also restored John Leerdam’s 1969 film on Curaçao’s uprising, a rare archival moment. With all eyes on IDFA’s international spotlight, the real question isn’t whether these films will be seen, but what they’ll say about the world we’re living in now.