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Bollywood Hungama covers the latest developments in Indian cinema, including box-office performances, industry insights, and actor reflections on evolving storytelling and career journeys.
Imtiaz Ali shared a rare behind-the-scenes story at Celebrate Cinema 2026, revealing that Subhash Ghai personally acquired the negative rights of his debut film, Socha Na Tha, to ensure a theatrical release. The move came after CBFC screening issues stalled the film’s launch.
Tamannaah Bhatia has described The Vvaan co-star Sidharth Malhotra as a genuine, chivalrous person and called his marriage to Kiara Advani couple goals, in a new interview with Bollywood Hungama.
Sandeepa Dhar reveals why she signed onto the OTT comedy ‘Chumbak’, highlighting its fresh take on female characters who drive the humor instead of merely supporting the male leads.
Bollywood Hungama notes that Beena Tripathi’s arc, especially her recent bond with Birju Lohar, leaves enough unanswered threads for a dedicated series, though no official word has emerged yet.
Speaking to Bollywood Hungama, Preity Zinta recalls the scarcity of casting avenues in the late‑1990s, credits industry friends for her break, and notes how online platforms now level the playing field for newcomers.
Social media buzz suggested Salman Khan's Maatrubhumi would soon reach the CBFC, but sources say nothing has changed. The film remains stuck over its China-related content, with 2026 release now uncertain.
Rohit Roy, best known for the 1990s show Swabhimaan, told a YouTube channel that television is a dustbin medium and film actors possess a class TV stars lack in public appearances.
Toxic's digital rights remain unsold nearly two weeks after release, with offers reportedly down to Rs 30 crore from an earlier Rs 200 crore ask, as industry estimates put the film's total loss at Rs 300 crore.
Adnan Sami tells Komal Nahta that social media manipulation can turn an empty-theatre release into a declared hit, part of a wider riff on how digital platforms have changed music and film criticism.