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Cinema explores the evolving landscape of film, from bold genre experiments to debates over storytelling and audience engagement. Recent coverage examines how horror films seize attention instantly, the lasting impact of classic works, and the challenges facing modern releases.
Henry Hill’s final lament—about egg noodles and ketchup—isn’t just tragic. It’s the punchline to a joke only the guilty understand. He didn’t lose power. He lost the fantasy. That’s worse.
Cinépolis India and RealD announce a 3D Film Festival starting October 23, 2026, with screenings across 18 cities at Rs 150 per ticket. The lineup includes Spider-Man: No Way Home, Fast & Furious 7, Jurassic World, Mufasa: The Lion King, Lilo & Stitch, and Raaz 3.
The first five minutes of a horror film don’t just set the tone—they decide whether you’ll sleep at all.
The Texas Chain Saw Massacre remains the genre’s most enduring nightmare: not for what it shows, but for what it leaves unsaid.
Two new releases, two weak openings. The box office isn't just slowing — it's rejecting stories about today.
The new ending of Miami Vice: Director’s Final Cut has fans furious — but none can explain why. Not a single coherent critique has surfaced. Only 'fucked' and 'shock.' The film drops December 15.
Digger lands in Indian theatres today — and it’s not just a Tom Cruise film. It’s a visual experiment in scale, silence, and storytelling.
Guillermo del Toro has called the IGN headline on Digger 'entirely petty', defending the film as 'daring, bold and cinematically complex' and insisting it's meant for the theatre.
Alejandro G. Iñárritu’s Digger stars Tom Cruise as an oil tycoon caught in a layered narrative that shifts from ecological drama to meta-theatrical satire. Critics praise its visual boldness but question its emotional resonance.
Digger isn’t just a movie. It’s a decade-long hunt for the right way to tell a story that kept moving beneath the surface. Tom Cruise plays both the real and the imagined. The film releases October 2.
At a recent industry event, Fatima Sana Shaikh cautioned that Mumbai’s proposed entertainment tax hike—from Rs 60 to Rs 400 for AC multiplexes—could make cinema visits unaffordable for many, especially when food costs are added.