Archive
2071 stories published this month.
Jailer 2 released in theatres on Thursday, 15 October 2026, with Rajinikanth back as Tiger Muthuvel Pandian and advance bookings crossing Rs 60 crore worldwide.
Rakhi Sawant broke down while recalling Nana Patekar's last call during a fever-shot — 'Arre uth tu sherni hai' — and called him 'nek insaan'.
Eleven years after its release, The Revenant is back on HBO Max, rebranded as a Western survival thriller. The film, which earned Leonardo DiCaprio his first Oscar, is finding new life in a streaming era hungry for authenticity.
A rom-com that failed in theaters is getting a second life on Netflix—but with a new title. Was it a mistake? Or is there more under the surface?
Jessica Chastain's horror film Other Mommy is projected to open above $20 million across 3,200 North American screens on October 9, outpacing Sony's The Social Network follow-up The Social Reckoning, per early trade estimates.
Sandeep Kumar Paul’s About an Intimate Matter, a Bengali film about two women whose secret romance is exposed, is set to premiere at the Busan International Film Festival. The film, produced by Apoorva Bakshi, Monisha Thyagarajan, Neeraj Churi, and Abid Aziz Merchant, is described as a quiet, deeply human story rooted in West Bengal. It stars Sreya Bhattacharya, Sanjita Das, and Shimilli Basu. '
The horror film Bokshi, which marks Bhargav Saikia's directorial debut, will hit theatres on December 04 instead of the previously announced October 09.
The Life and Deaths of Wilson Shedd premiered at TIFF after a 12-year journey, with Seyfried and McNairy credited as pivotal in bringing it to life. The film explores a tense relationship between a prison teacher and an inmate, rooted in emotional vulnerability and moral ambiguity.
Kalki Koechlin’s Her Song has entered the 2027 Oscar race. A French-language debut. A festival opener. Now rolling out in LA and NY. No Indian film. No Hindi dialogue. Just a performance that refuses to be pinned down.
Robert Pattinson's Primetime crosses $36 million in North America, outperforming Materialists and nearing The Drama’s total. The $14.5 million acquisition is already a profitable move for A24.
A24 has set November 20 as the U.K. release date for Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary 'You Can See Everything', following its surprise premiere at Telluride. The film, which captured Holmes in the weeks before her 11-year prison sentence, will open in U.S. theaters on October 16.
Avengers: Doomsday has already crossed $100 million in pre-release ticket sales — two months before its December debut. Collider reports the milestone comes as Marvel bets big on nostalgia, spectacle, and a villainous turn from RDJ as Doctor Doom.
The film, once set for October 9, is now pushing its release to October 23. Why? Because the box office calendar demanded space.
Netflix will stream Drishyam: The Conclusion, confirmed in the opening credits. But when? No date yet. Industry estimates point to November 13–27, based on the usual six-to-eight-week window between theatrical and digital releases.
Zach Cregger's Resident Evil is closing in on $250 million worldwide after a strong China debut, but it still needs $21 million more to beat Weapons as his highest grosser.
Ajay Devgn returns in 'Drishyam: The Conclusion', a gripping crime drama directed by Abhishek Pathak. The film follows a grieving cop and a lawyer as they unravel a conspiracy involving identity swaps and forged evidence. Critics praise its taut screenplay and powerful performances.
The show’s rhythm is uneven. Some episodes feel like Come From Away meets Jaws. Others drift into surreal territory — a man wakes up to find an iceberg where there was none.
The anime film earned Rs 1.25 crore on Day 6 — a 30% dip from the previous day — and is on track to close its first week around Rs 14 crore.
Voices of Tomorrow is no longer just about voice. It’s about how stories survive translation — and whether they still feel like home.
Nani has responded to mixed reviews for The Paradise, saying the edit and score needed more time and that director Srikanth Odela's focus shifted from story to spectacle as the film's scale grew.
Netflix’s Below lands on October 8 with a quiet fury. It’s not the creature that haunts you. It’s the silence after the scream.
Flanagan’s Carrie isn’t the most violent version. It’s the most honest. It doesn’t need gore to scare you. It just needs to show you how easy it is to break someone—and how hard it is to fix what’s broken.
Josh Hartnett stars in 'Below,' a new Netflix thriller set in a remote Newfoundland fishing town where a mysterious sea creature emerges amid an iceberg. The series explores family bonds, tradition, and fear beneath the surface—both literal and emotional.
Nana Patekar’s death leaves a void not just in Indian cinema, but in its financial logic. His films — from Krantiveer’s 316% ROI to Natsamrat’s 500% — prove he was never just an actor. He was a brand. A risk. A reward.